"Leftovers" For the paintings in Maison Rosièroise, I started with collages. They serve as a starting point for creating new associations with shapes, colours, and patterns. The first step is a fascinating game of reassembling parts of the collages and enlarging them significantly.  Can I bring structure and meaning by combining image fragments that at first glance appear disparate ?  The next question is whether colour, medium/canvas, texture and tactility are sufficient as carriers of meaning?

Can I generate a new dynamic? Are the transpositions intuitive and associative? Is the final result an exercise in deconstruction towards reconstruction?

All that remains is wonder?

Nothing is seems what it is.

Everything is in motion.